Clive decides he will go mad. Stark raving mad. His wife doesn't take him seriously, until Clive does something that makes her realise he means it.

A young artist named Victor arrives in the village to decorate the local club for the New Year. The club owner, Mishka, takes his guest to the house where he will be staying. Victor and the owner's daughter, Tatyana, develop feelings for each other, which Mishka, who is madly in love with the girl, senses.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

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Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. “The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

A black comedy set onstage and off, of a traditional Scottish pantomine. One actor's progressive nervous breakdown brings Good and Evil into open conflict.

A literary teacher Antonina Sergeevna goes to work at an elite physical and mathematical lyceum from a regular school. She is surprised to see how respectful the students are here - as to full-fledged creative personalities. Soon she begins an affair with a young school principal - a talented physicist, candidate of science. But the euphoria of the first months of communication with students is replaced by disappointment - her pets turn out to be cold, rational people, almost indifferent to the beautiful ...

This making-of is an interesting, candid look at how the director operates during a typical day during principal photography.

Directed by Erle C. Kenton. With Anita Stewart, Huntley Gordon, Gaston Glass, Chappell Dossett.

A stranger highjacks a boat close to the Icelandic shore, and demands to speak to his ex-girlfriend, but she has never heard of him.